By Andrea Pejrolo, Richard DeRosa
Get entire suggestions on either conventional orchestration and glossy construction recommendations with this exact ebook. With powerful reasons and transparent illustrations, you are going to the way to combine the conventional method of orchestration with the trendy sequencing options and instruments to be had. you can find tips to bridge the 2 methods as a way to increase your ultimate production.
The accompanying CD encompasses a complete and big choice of examples, templates and sounds to permit you to listen to the concepts in the book.
By masking either techniques, this booklet offers a finished and sturdy studying adventure that may strengthen your abilities and turn out tremendous aggressive within the tune construction company.
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Additional info for Acoustic and MIDI Orchestration for the Contemporary Composer: A Practical Guide to Writing and Sequencing for the Studio Orchestra
In the following paragraphs Richard DeRosa will guide you through the main concepts and terms that constitute the fundamentals of orchestration. 1 Composition The first stage of a musical creation is, of course, composing. This occurs most often at a piano. The piano provides the ultimate palette since it encompasses the complete range of musical sound and is capable of demonstrating the three basic textures of musical composition: monophonic texture (melody), polyphonic texture (multiple melodies occurring simultaneously) and homophonic texture (harmony).
7 Weight, balance, and intensity As an instrument passes through its range the dynamic contour (volume of sound) can change. Some instruments are thicker and fuller in the bottom range. Others become thinner near the bottom. The opposite effect can occur in other instruments. Some instruments are naturally softer than others and vice versa. As a result, the balance may be affected and it is the job of the orchestrator to know how to maintain good balance with the instruments. The intensity of an instrument’s timbre is determined by how rapidly the vibrations move within the sound, as well as the physical energy required by the performer.
Its timbre is unique and is used most commonly for country and folk music. 3 Keyboards Piano: The most classic of the keyboards. A distinction should be made between the grand piano and the upright piano. For beauty, the grand is better, but the upright can also be used, especially for a honky-tonk or saloon-style piano effect. Rhodes electric: A unique sound offering a bright twinkle of sound in the higher register as well as a thick, lush texture in its middle register. ) This sound became very popular in the 1970s.
Acoustic and MIDI Orchestration for the Contemporary Composer: A Practical Guide to Writing and Sequencing for the Studio Orchestra by Andrea Pejrolo, Richard DeRosa